Each year, we present a curated series of recorded audio poetry readings. Sometimes we draw from the classics (reader’s choice), sometimes we platform new work by local writers, and often we combine the two. Once the audio is recorded, the HTC team determines the visual language for that year’s presentation. We intentionally shift the aesthetic annually.
In previous years, this has included short narrative films responding directly to the poems, and time-lapse illustrations created by a visual artist to capture the essence of each piece.
This year, classic texts are paired with filmed local landscapes in Brisbane, Australia. These locations are captured without people and are not necessarily identifiable. They are quiet, transitional spaces. Environments that hold atmosphere and shape the listening experience without distracting from the voice. The poem remains at the centre. The environment holds the stage.
Poetry Month highlights the enduring power of literature. When we choose to focus on the classics, we celebrate texts that have shaped the literary canon, influenced generations of writers, and continue to resonate with contemporary audiences. It is an opportunity to reflect on language, rhythm, and storytelling, and on how these works continue to inspire new interpretation.
The project is also professionally significant:
• It provides a platform for local writers and performers to explore interpretation and voice in a focused, audio-driven format
• It allows us to experiment with audiovisual storytelling, testing how voice and image can interact beyond traditional stage practice
• It strengthens digital engagement, offering audiences an accessible and intimate way to experience poetry and performance, free of charge.
Without further ado, we are pleased to share our programming for Poetry Month 2026:
• Rachel Tindall: “The Garden by Moonlight” by Amy Lowell (10 March)
• Laura Field: “Adlestrop” by Edward Thomas (17 March)
• Nicky Whichelow: “The Tyger” by William Blake (24 March)
• Ophelia Novak: TBA (31 March)
Each reading premieres at 6 PM AEST on YouTube, Instagram, and Facebook.
Poetry Month 2026 demonstrates how independent theatre can combine minimal resources, intentional practice, creative experimentation, and the enduring power of literature to produce work that is meaningful, professional, and accessible.
Rhys M. Becks
CEO & Artistic Director
Hummingbird Theatre Company
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